Wednesday, September 7, 2016

Tom (Michael Fassbender) is a war veteran who get’s the offer to become lighthouse keeper in the remote shore of Australia, since his arrival, Isabel (Alicia Vikander) show interest in him, but due the social aspects of a small town she cannot live with him, unless she marry him. Their love grows with the distance, long distance communication help them to stay connected and share their dreams. The new married couple live in solitude trying to procreate but with several unsuccessful attempts cause cracks in this perfect loving couple. Until one day, they rescue a baby girl who has washed up on a adrift rowboat with a dead body. This happening will be the beginning of a happy life as family the also the beginning of their demise.

Dereck Cianfrance directs “The Light Between the Oceans: a tragic story of love and deception that teach us the real value of making the right choices in life. Cianfrance is not a rookie in the subject of tragic love stories. His previous films Blue Valentine and The Place Beyond the Pines represents parts of his body of work. This time he explore a period drama with two strong actors: Alicia Vikander and Michael Fassbender.

There is something unique about this couple on film, is because they are a real life couple and the chemistry for them is perfect, most their scenes are strong and the addition of Rachel Weisz make the film powerful enough.

One of the problems of this movie is the length, the story develops but it gets sunk in one point trying to make the audience understand what’s the real problem. For me it’s pretty simple to understand. A couple living in solitude who are trying to have a baby, she suffer two miscarriages and then they found a baby girl in the shore. Against all rules and regulations they keep the baby without permission just to feed their grief for their lost babies. The story is about love, commitment but is also the difference between right or wrong.

The film is nicely done, with beautiful cinematography by Adam Arkpaw and a masterful score by Alexandre Desplat.




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